Tuesday, July 14, 2015

Be patient. You will find the words. If you listen. They will come.



Monday July, 13th, 2015, will be a day I will remember.

Baby "Sandy Candy" Age 3
On this day, because of a conversation my spunky Mama had on her famous bus rides from the suburbs of New Jersey to Manhattan...

I was humbly invited to speak live on TV about my work....

Now.

Expressing one's deepest feelings, inspirations, and missions to the core of cores in your first language may feel like a vulnerable breeze...

However, a language that one was born into first spoke before any other...but has kept quiet of for most of her life...is a very different story.

I did it.

On Monday July 13th,  2015. I spoke on live TV... Live Russian TV...in America..right outside of the regaton blasting, salsa fasting, Washington Heights....in a tiny little Russian TV studio run by what felt like a family...I spoke for hours upon hours. In Russian.

It all happened. somehow. Like a Russian dream.

Morning show, "Contact,"  with charismatic and charming Host, Boris Tenzer.

Who, told me, within the first few seconds of our greeting ...." Do not be alarmed of my shaved head...I always shave and keep a bald head  in the summer! I'm OK! Promise!"

Followed by deep adorable laughter and a smile that takes over his entire face.. An honest laugh...and  deep glances into my eyes.

" Let's begin," he says...

....and he pours me a cup of green tea, he brewed at home before he came here...to, " Save Time..." he winks and giggles...

A room filled with VHS tapes in bookshelves and desks... autographed headshots ( from what seemed like the 1990s.)

 I was in bliss.

I loved the VHS tapes everywhere.

I loved the view of the parking lot and the GW Bridge.

 I loved the 90s Russian music playing, and the radio talk shows blasting in the background.

I loved how crazy it was that I was about to do a live interview in Russian. In   my most expensive bright orange dress and my purple blazer I have worn since I was 16.

Boris says, " I heard it's best to forget about your birthday each year...not celebrate it or make a big deal out of it..keeps you younger! And short hair cuts...they keep you younger too!"

and another glorious contagious laugh!

How would this all happen?


Being that my vocabulary in the Russian language, as a speaker, is intermediate..

As a listener, advanced....

My accent is thick...

My heart and passion do my best, is solid..

After many years of harsh corrections and ridicule of my accent when I spoke my native language....More often I felt bashful of my ability.

As an adult, I have never held a very deep meaningful conversation in Russian...and there I was..with Boris..so desperately wanting to explain to him why I do what I do...what lead me here...what makes me wild and inspired...what fuels fury and worry..and yet he says patiently to me...with kind eyes in our pre-interview session...

" Be patient. You will find the words."

and I did.


The remarkable miracles in the ability to speak passionately, honestly and vulnerably in another language.

It was a miracle!

It was as if a language angel whispered in my ear. I spoke deeply and tenderly through my heart.

Post show photo with Boris Tenzer


Boris welcomed me.

We took every breathe together as we conversed about my art, live on air.

The central topic was my beloved solo piece: Lost in Lvov.


 He really asked me, "Why?" ....and nudged me to really dig deep into my mind's inspiration to share with his viewers.... "Why?"

... this work, my work, my passionate interest in the immigration experience... as well as my deep curiosity in turning our painful memories into beautiful works of art...why a woman of my generation would be interested in such a thing...why I rather not go out with friends and " enjoy life like a young person does?!"

To me.

This is what life is for.

To me.

This is what enjoying life looks like:

The ability to be free.

What really touched me the most....

Half way through...Boris, opened up the phone lines for callers.

 A few very touching comments from people.

Sweet little sounds of Babushka ( Little Grandma sounding voices).

Perhaps I wished it was my Grandmother or Grandfather who lived long enough to see me talk about  them LIVE on the same black and white TV they found in a garage sale..

To hear me speak of my inspiration....and share the ups and downs of my career choices and life road blocks and pathways...

To hear me speak of it all...in the language they taught me.

As a child, I watched the  Russian TV Network with my Babushka Lina. We watched Russian films, concerts, music videos and soap operas...


Today...you can enjoy this sweet little interview too.

Thank you....

English subtitles coming soon! ( However I do slip in a few English words here an there...:)

Click here to watch LIVE Interview with BORIS TENZER

Thursday, July 9, 2015

Depths of soul pocket explorations. Re-tracing footsteps. Re-focusing purpose. Realizing the meanings and source essence of bliss and freedom

Bi-coastal & International manifestations blossom with a patient virtuous heart.

My goal has always been to follow the energy wave paths of the bliss clouds in my  eye opening perimeters....to listen quietly to the  hidden messages in the energy waves seen and unseen. To prosper and dance in the  peace and chaos....to linger an extra moment in the present.... when I feel I may just be pushed a tender second off the edge... into ecstasy and surprise.

Here. I. Am. Here. I. Go

Life has pushed pulled my soul in many directions upon my first arrival to, " The City of Angels."

Viva  Los Angeles!


After a five year eccentric, passionate, roller-coaster, ocean-wave, adventure in beautiful Los Angeles...I followed my bliss ride in LALA Land...an opening push presented itself to guide me back to the concrete apple island of raw-eccentricities of New York City!

Since my wings dropped me off in the electric land of New York City..the vibration climate of reality and love has surrounded me with inspiration, raw-comfort and liberation.



Nesting in a new home in the outer boros of Manhattan... Finding the perfect Tango milonga to exercise my soul fever. Acquainting myself with the electric energy ( and stairs) of this concrete island once again, Using my body as my sole vehicle to get around this concrete world, while navigating the balance of artistic and pedestrian " regular people life" life, has been a tango-chess-roulette dance of it's own


The challenges  and re-directions I whole heartily embraced!

With every cockroach I've met. Mouse and cat sized rat pack, I've almost run over. Lovers caught in passionate rendezvous--  I've eavesdropped with glances in  admiration.... I am surrounded the overflowing waves with this abundant absorption of energy,

 The city. This city. Full of opportunity pulsing in every nook and cranny of existence.


I am grateful for all of the training, experience, and heart- earned-mastered-strength, I've collected, while paving the padding of my heart in LA..

I landed in NYC. Full of  the ambition like hunger of a gypsy lion caught accidentally in a dessert breeze.










Creating LOST IN LVOV, was a long bittersweet voyage.


 As soon as I arrived back to NYC, I quickly returned to perform an incredible one night only, granted concert performance with my beloved band ensemble with featured musicians from PARIS CHANSONS.


This short and sweet performance was produced by The City of West Hollywood and Lena Bubenechik!

We shared our hearts in The West Hollywood Library! The sounds of these sweet musician's melodies, voices,and tunes still leave tingles and goosebumps on my  mind's skin..... Grateful for Julia and Jacob Kantor, Endre Balogh and Kassandra Kocoshis!

Lost in Lvov collaboration with Paris Chansons ensemble 2015


This piece was blessed with the soul creation of many hands and hearts. Including my incredible NYC Team: Director Marina McClure and Lighting/Sound designer Shelly Rodriquez, fellow CalArts Powerhouse women alum!

 I feel so fortunate for every single collaborator who guided and inspired each step of this journey.

 Upon arriving to NYC, I was awarded the news that my beloved solo piece LOST IN LVOV was invited to perform in Warsaw, Poland as part of United Solo Europe.

My dream with this piece and with any of my pieces and art, is to have the ability to travel and see the world while sharing very intimate, non-traditional ideas of cultural influenced art making, womanhood, immigration, love, passion, and healing,

 My dream embrace: To create art as a vehicle of healing and transformation...bringing  art of physical storytelling, based in personal narrative to communities  which I've always day dreamed of... while staring and spinning a globe round and round....while dancing to the entire pretty woman soundtrack...mixed with Paula Abdul and Modonna...in my childhood bedroom.

....and most importantly... sharing the gift of dreaming, movement, play, connection to humans in far out places and lands...that almost feel like different planets..... yet to be discovered by my imagination soul heart.

The invitation to share my work in  Poland came as a shock and dream.

Lost in Lvov invited to POLAND!!

I instantly knew. I instantly  understood.

....With the close proximity of Poland to Ukraine ( next door neighbors)  I would make the pilgrimage back to my home land of Ukraine..the beloved city that I dream of..Lvov......the beloved land which lives in my dream's dreams....

and most of all, most of all the all, I knew, my dear Mama, would come with me. She had no choice... and we would retrace the 26 years of her life before taking a chance on the American dream in her voyage to America.

Before preparations for my European- homecoming--the gracious energy of solo performance bliss sharing lead me to the incredible city of Toronto! For 3 days I graced the quaint and sweet lands of Toronto, Canada and theatrically played with idea hungry Torontonians!
Artistic Director of SOULO Festival in Toronto, Canada : Tracey Erin Smith! What a powerhouse! What an inspiration!


The city of Toronto was filled with tram lines kissing the sky. Friendly features and sweet hospitality. an artistic ambiance in the neighborhood of Leslieville, where I rested my head...and the sweet spot of The Sand Castle Theater, where I shared ideas, performed my work and lead workshops with beautiful beings..with wide open hearts as wide open as their eyes and tender energy waves.



I felt so welcome, taken care of, and at home, with my new Torontonian friends and teammates! I hope to come back for longer embraces,workshops, with solo performances mixed with bliss!
Post show, audience talk backs in Toronto! Thank you SOULO Festival!

Next up....a glimpse and taste of voyage to Warsaw, Lvov, and Krakow.....the twists and turns and dream, time-machine, did it really happen- like happenstances... dropped on me, like lemon drop-mixed-rain-drop-sparkles.....

Stay tuned....




Sunday, July 28, 2013

Transitions, Whispers, Breathes like tango dances..a note on Post Graduate School Life.


The crickets outside my window remind me my childhood bedroom, only 20 miles away from the George Washington Bridge which connected me to New York City. Now I live 20 miles away from the Hollywood sign in the valley of the valley of Los Angeles, connecting me to the city of Angels and dreams.

CalArts Salsa Band Photo:Scott Groller
The moon is just a big here in LA...... and sometimes it's so large and yellow, covered with stars and energy, that I feel that I can almost touch it, kiss it, or..... that it maybe even, this big shiny yellow moon has the courage to kiss me back, wink me back...and remind me that she's there watching.


As I child riding the back seat of my parent's station wagon, driving from Brooklyn to New Jersey at strange hours to beat the traffic---dusk or dawn---an empty highway of route 4, empty GW Bridge lane ( always on the lower level) and an empty BQE....just as we approached Ocean Parkway in the depths of Brooklyn with it's long streets covered with park benches and Russian Grandpas playing chess and Russian Grandmas gossiping nearby, crocheting or sewing on the street with their house dresses out in public.....I watched the moon as it followed us to and from our home...as I glimpsed at the moon through the foggy 1989 station wagon windows. I asked my mom, always, why the moon was following me home...and she said, " It will always follow you, it will always watch you, because you are a star and stars are in the sky beside the moon, so the moon will always be there wherever you are, just like me, your Mama. Watching"

Here I am, my first summer semi settling in Los Angeles. Seems as though I'm here to stay a bit longer.I look at the moon and imagine it's my family watching over me, I imagine when I see the moon that I'm back in my station wagon being trucked between Brooklyn and New Jersey, with my dad playing 1010 wins news on repeat. On full volume. Like his favorite song, which he can sing along to.

Here I am in LA,with cricket sounds outside my window, and a rose tree, instead of subway train bridge, crackling of concrete and commuters mid conversation as they walk by my window. Here there is a distant memory of : air conditioners leaking down my skin on a hot summer days..... feeling like rain in New York City. Here is to the dry heat of the desert, and the rain of sprinklers at 11pm. The only noise I hear evenings lately, is my crickets outside my window, my blinds hitting each other with a slight wind from the cars passing by,and maybe some live mariachi from a family having a BBQ across the street.

I'm here to stay. for a bit longer Los Angeles. Thank you for having me.

Three years ago I  made the  voyage across the country  I truly only knew from Hollywood movies, books, and my childlike imagination of what epic beauty could live outside the concrete island of New York City.
Yes yes, cliche as it is, it was with my car “filled with everything I owned," my savings in my pocket, en route to an apartment I never saw before,5 hours each day driving across the USA, next to my best friend--who saved my life, helped me pack my life, shipped me off with unconditional love and supported my move to the other side of the country, spending a sweet and comfortable night in a different city and state ( which I also previously was acquainted with via Carmen San Diego floppy disc computer games as a child, memorizing fun facts about each state...and here I was driving through them)



Silence as we drove. rain. wind. corn. cows. concrete.grass. windmills. towers.unfamiliar buildings and people. accents. dirt roads.mountains.caves.darkness.sunrises.sunsets.greens.yellows.fire.water.blue.the ocean finally. the ocean. the blue pacific ocean. the desert mountains.


The  landscape melting before our eyes, almost with an invisible seamless ballet...an appetizer view of the climates, cities, energetic shifts, smooth and rough, aggressive and gentle, the landscape leaving New York City as a imprinted stamp on a long lost love letter, slowly,slowly,so very slowly bringing us to the pacific... and change outside our windows, the transition we both knew would inevitably change our lives forever.


Three years ago I made the choice to start over on the west coast, start over from what?
Things were great in NYC....but I needed a jostle, I needed a change. I need to restart and reboot my artistic chi...I just knew I had to go. I had to...” if not now, then why am I doing this,” I thought, and so I left. Many people thought I was crazy to leave, but I never for one second doubted it was time for a change. It was time to go.


Away  from my family, my business, my loved ones and every piece of safety and security I ever knew existed to pursue my Master of Fine Arts and take my training and craft to a higher level. To gift my soul it’s time to brew, marinate, reflect, grow and manifest into a dream that I knew was the only choice I could commit to for the rest of my life, the choice to pursue my life as a professional, committed, trained Artist. I had to do it myself, alone, my way. I had to do it. It was and IS the only thing in my life I have absolutely no doubt about or question whether or not  is the right decision. This. is. it. I had to go.


To many people,  who come from a first generation immigrant family like mine, who sacrificed so much for me to simply be born in this country, it may seem frivolous or irresponsible to make this choice of artistic endeavors. However I feel on the contrary. It is a courageous and empowering choice for a first generation Russian-Jewish American woman. I found that during this very difficult and bumpy transition, I have, in turn, earned respect and support from my family and fellow first generation immigrants who also had dreams they risked so much to pursue. I know that I could have had a simple and easier life following a path that in society could be taken as more secure or reasonable. But for me, that would be insecure and unreasonable. My life, my choices, and my choice was made three years ago when I started down the path toward Los Angeles to continue my training. Since this decision my life has immensely become more complex and layered with decisions that are so large and confusing that I’m kept up at night with pensive thoughts, butterflies, sugar free gumdrops,  risks, fantasies, dance steps I never learned before, dance steps embedded in my bones like tattoos, poetry, colors of light and darkness and silhouettes  of bodies intertwined, all dashed, gashed, lightly caressed and kissed, all scented with a flavor that is new and familiar at the same time.


Since coming to Los Angeles my soul has felt liberation of a dragon learning that she has fire inside of her that she can use to burn  and destroy,as well as fire up chaos, passion, sensual ecstasy, and birth life into the deepest and most complicated needs, desires, and secrets into realities that are so colorful......that even largest  rainbows will feel shy around them.


The opportunities I’ve created for myself as a solo performer and creator of my own work has skyrocketed in LA. My confidence to share my  personal narrative writing, choreography, poetry music has forced me to let my voice and vision to be heard. 
The relationships I have made within the business and around it, have brought me closer to special and unique people who have opened my eyes to world inside and outside of my graduate program and my life and work I previously was accustomed to.


On my graduation day, I danced across the platform to take shake the hand of my Dean.
Dancing my way to my MFA
My pink and black gypsy dress fluttered, my rose tiara bounced, my leopard print gold and black wedge shoes ( which  I saved from highschool) supported my stance, as time slowed down, sound sped up, vision turned blurry and I jazz leaped, tango- cross- body stepped across that platform, and hungrily took that MFA into my hands



I earned it.Thank you.


I thanked the grass,sun,sky and my guardian angels.I danced to my MFA and took that MFA into my hands and kissed it.
. and here I am.


Now what?


A transition. A time for introspection. One breathe after another. Exhale. Silence. Letting the brain run it’s course.


I feel that the time postgraduate school is like a crossword puzzle. Where you can’t, for the life of you; figure out what the answers are...”...is this the hardest crossword puzzle ever or is it just me?” you may think, and each word you think will fit perfectly inside the allotted boxes is one too many letters short or long.  Can I squeeze the words in the boxes somehow? Do I have the right spelling? I don’t know the answer, maybe I leave it blank for  a while.... until the word comes to me, is the best choice.


Life in transition.


My new favorite activity post graduation of my MFA training: Letting minutes pass in silence. I still do not know what radio stations exist in LA because I spend the hours stuck in traffic and driving from one gig to audition to another in silence, just thinking and breathing.


Or the moments of reflection after a long LA day. Laying on the carpet of my 1 bedroom apartment, staring at the ceiling. Breathing. Reflecting. With the sounds of Billy Holiday humming in my ear...and those crickets.


As each inhale and exhale enter and leave me--I feel as  if each inhale and exhale has a delicate whispering conversation with one another. I want to hear the secrets they are exchanging. I also want to allow them their privacy and reflection. Greeting one another like lovers at the first moment their lips touch. Even before the touch. Even before the scent you can almost pick up on your lovers skin. Just at the moment you will allow yourself to be touched and deeply felt. My inhales and exhales, silent moments of reflection, postgraduate school are delicate like daffodils and dandelions.


If our breathes and moments of solitude were like old lovers, rekindling a romance, or allowing fire to build up inside us, perhaps our peaceful moments would override the anxiousness that fills us all in times of transition.

The open road is before me. I narrowed down which path to take a few months ago. With that choice and decision to stay in Los Angeles and spend my summer performing a new multi media theater piece  in Edinburgh, Scotland......with these decisions: paths, conflicts, detours, signs layered over signs, torpedoed in my way.
What my brain sounds like sometimes.....
“ Nooooo, wait!!! are you sure???”
“OOoooo you think thats what you need to do? “
“ I have an idea”
“ Do you want my advice?”
“ Let’s wait and talk about it...soon...or later on. Yes later on”
“ I need an answer now.”
“Of course that’s what she should do it’s safer!!”
“ That’s not a safe choice”
“ Thats super safe”
“ That will be more secure”
“ This will be more secure”
“ You know what I think?”
“ Let’s talk about it, soon”
“Can you do both? Can you do all of it? It won’t conflict, right?”
“ This can be your last chance”
“ Don’t decide now”
“ Don’t wait to decide”
“ What did you decide?”


….paths and crossroads mixed dirt ,flowers,weeds, butterflies, candy wrappers, soda cans,lip gloss containers, shiny shoes and bracelets, grass in every color, sprinklers, rats, kitty cats, loud music, soft sheets, rough skin, soft skin, and scents of memories and desires, with splashes of violin, drums and a few gypsy dancers, with hairy chests, and mustaches.......Ok---so here I am, in my pink multi colored outfit, big wavy hair and sunkissed skin, staring at this field of path and roads before me,what’s next. One decision always leads to another.  And all I want to do is plop down into this big filed of candy wrapper glitter cakes and stare at the clouds, spoon with a puppy or not rat like furry creature and catch my breathe.



Hello postgraduate school life!
Always in transit. Always enroute. How to truly, deeply, on a subhuman deep level we can ever know that whatever decision we make, is without a doubt the best decision ever? Can we live our lives doubtless and full of confidence in our choices and steps forward ( and backward) we take? How do we know? How do we truly know? Is the oblivion of full confidence  denial or ego?


Or is it a key to everlasting personal growth and freedom.


The triathlon of life. Learning to walk at my own pace,  and fly at my own moment and my detour whichever way I decide. The freedom the fear that attaches to that ability to be so free after coming to Los Angeles for the sole purpose of graduate school.


The reality of the life I have entered, full of risks, verbal agreements, chances, choices, liberation, fear, anxiety and constant ebb and flow of silence and ecstasy----- all of which can happen at the same moment, while swiftly disappearing like water in an empty desert.


Is it like this for all artists?  Is it like this for all? Is it like this forever? Is it like this for most but most do not reflect …. deeply  feel the waves of life?


Life is just one huge transition. Life is always changing, shocking,shifting,surprising, keeping you guessing, breathing in and sometimes spitting out, the unknown the known, the facts the fiction, the reality, the pain the suffering, the passion, the love, the disappointments, the beauty, the absolutely undeniable beauty that we even have a chance to be alive and feel and exist. I wonder sometimes do I feel these things only? Will I always feel things so deeply?


Some jobs I’ve had this summer have shocked me.I have let my ego take a walk in the pup park and even the kitty cafe ( literally I was a  Russian Master dog trainer/office manager/dog spa house maintainer/property manager/translator/running partner of pit bulls and German shepherds). I have taken on work and gone on interviews  that I would never imagine I would allow myself to take part in. ( all legal friends, come on! just silly and ridiculous) Most of these experiences have just added to my treasure chest of material, and my list is now double sided. However, the time has come for me to prepare to leave the country in style..... and just be an Actor for a while, what a gift. An Actor in the # International Art Festival in the World, Edinburgh, Scotland.


 In just a few days I will be flying like four winged feather tailed dinosaur bird to the UK and perform a multimedia movement piece that I  also choreographed,MASK directed by Allison Keating and written by John Johnson.  The piece itself has been a huge challenge for me to juggle, dive into and marinate all the while of experiencing delicate intensity of  chaotic transitioning months post graduate school---and yet this piece has been a gift in it’s own way for those very same reasons...a  huge source of pleasure, pain, beauty, exploration, challenge,focus and diligence has been implemented in my regimen and now with only a few days before I leave to perform in the #1 International Art Festival in the world, and reunite and meet artists from all over the planet, I feel overwhelmingly grateful and humbled that I have this opportunity to get lost in the cobblestone streets of Edinburgh, let my imagination run wild, and almost force myself to be creatively tantalized and ignited by my energetic surroundings. So much of our time in transition is filled with superficial worries and realistic fears. For this next month that I will be living on a “ performer/entertainer” visa in another country, had have the blessing of sharing my art and experiencing others creativity juices in a constant exchange of messy chaotic color and light in a city of castles and hidden alleyways  and hills, I’m ready. I’m ready. I’m ready to fly. I’m ready to put my 188438475774 silly gigs aside. I’m ready to put my 19438948748784 glitter mustache wearing decisions in time out, I’m ready to put my 192993848484884 double sided “ to do” lists of people to call and follow up with in my top desk drawer, so I can do 282383884848484 things for my soul. My soul needs some loving too.


MASK @ The Edinburgh Fringe 2013
My soul needs a little tenderness, this time it happens to be in Edinburgh, Scotland, alongside a company of beautifully kind, talented and generous humans I would have never met unless I made that crazy decision 3 year s ago to move away from my nest of concrete goodness for my huge pacific of unknown.


Mask @ The Edinburgh Fringe Festival, Scotland 2013

Los Angeles, is one big smoothie. Use me as your blender LA. Just like a pro blender you can try your best crush or blend me smooth. Add your ice. your veggies and fruits, throw whatever healthy fad you like in there. I can take it. But then you’ll need to drink me, so make your choices wisely. Ok, blend away.
Yum

Monday, April 15, 2013

Boiling the Stones


Proud to share, this week, guest Artist workshop presentation of Studio Matejka's , " Boiling of the Stones"

*Boiling the Stones is an episodic concept piece based on 
techniques learned throughout a three week workshop.*

April 17th- April 20th: 9pm : Butler Building #2, CalArts, Valencia, CA
Tickets are free.
----------------

I met Matej Matejka the summer of 2011, during my residency with Au Brana Cultural Centre's Physical Theatre company: OBRA and Leo Kay, in Lectoure, France. 

The residency was recommended to me by  Director whom I admire and respect very deeply, Tina Kronis of Theatre Movement Bazzar. I had never been to Europe and wanted so deeply to continue the training which Tina exposed me to in her movement class atCalArts.

For three weeks I lived in a converted barn which housed 11 artists from all over the world. On the other side of the barn housed our work space, where we trained for 8-10 hours a day, mostly in silence, exploring the world of physical story telling. On breaks, I would stare at the horizon that overlooked old castles, fields of sunflowers,wild flowers, and bees intermingling. The smell of fresh baked french baguettes and silent  air all around me, the sound of rain and dew--- it was a summer of healing and transformation for me---through art making and exploration. I worked closely with Matej that summer, along with many other visiting artists from Europe. I was touched delicately and deeply by the work we  shared and created. The discipline, intensity and depth was what I was craving and yearning for.When I came back to CalArts the following semester, I was determined to find a way to help create a relationship with the leaders I met in France with my CalArtscommunity.

 In the spring of 2012, Matej Matejka, and two  members of his company, Gema Galianaand Anthony Nicolchev visited CalArts and lead a 4 day workshop.  Now, almost one year later, Studio Matejka is back again. This time, leading a three week workshop with a formal invitation of our work, " Boiling of the Stones," April 17th- April 20th at 9pm, Butler Building #2 at CalArts

I have the greatest  honor of being a participant in this workshop. With only a few weeks left  at CalArts as an MFA graduate student, I could not imagine or dream of a more beautiful way to end my time here. These last three weeks of my training with StudioMatejka, have connected me very deeply to my body, mind and heart. I have been reminded of my time in France  and filled with bittersweet memories and strength. The training has challenged, pushed and reminded me of the  soul that goes into creating art with integrity and simplicity. 

I am honored and proud to have  brought these  Artists, whom I respect and admire to my CalArts community, and hope this will set a precedent for  International Collaboration now and in the future.
---------



About Studio Matejka:
Studio Matejka began its activities in 2010 as a physical theatre laboratory exploring 21st-century performance techniques that specifically work across borders: Borders between performance genres, borders between training techniques, and borders between individual expression and collective resonance. Through practical investigation, the performers work to develop the strength, agility and dexterity to physically “speak” through a diverse range of ideas, images and vocabularies. The Studio is led by MatejMatejka and composed of eight performers from seven countries. Additionally, the Studio is regularly accompanied by external affiliates. Vivien Wood (UK), Sarie Mairs Slee (UK/USA) and Milan Kozanek(Slovakia) assist the leader in the psychophysical research. Ditte Berkeley (Denmark/UK) and Jarosław Fret (Poland) lead music training and supervise music composition. Bryan Brown (USA) collaborates on thedramaturgy of the performances. The academic team of the Studio is supervised by Sarie Mairs Slee (USA) assisted by Torbjorn Oppedal (Norway) and Ragnhild Freng Dale (Norway) who record, contextualize and inform the laboratory research. The Studio’s film and documentary team is comprised of Adam Hanuljak(Slovakia), Peter Kotrha (Slovakia) and Karol Jarek (Poland). 

Design Team
Costume Design -David Moyer
Lighting Design -Brian Tran
Stage Manager -Evol Hong
Asst. Stage Manager -Dillon Evans
Venue Manager -Ewa Czerniawska
Venue Manager -Tony Zhu
Producer -John Henningsen 

Facebook invite:
https://www.facebook.com/events/130170120508480/?ref=notif&notif_t=plan_user_invited

Friday, September 14, 2012

" What was briefly yours, is now mine."




 ***Photo taken on Lake Minnetonka in Minneapolis, MN--Guthrie Ex 16 ( After I jumped in with 4 life preservers and swimmy doodles.)

I have a confession. For those of you who know me deeply, you may not be surprised to learn that I have never seen , Indiana Jones , or Star Wars , or any of those iconic films that so many of us grew up with.  (I know, I know. I did however cry my face off in , Free Willy ---my mom escorted me out of the movie theatre, because I couldn’t stop screaming “ Free Willy! Hurry! He’s going to die!!!.HURRY UP!!!!!!”-----This, to me  as a child, was an iconic film.  As well as,  Little Orphan Annie….Yes, I know.)

Others of you  reading this that are shocked, don’t scream at me when you see me. Let me explain. For some reason I have always had a block, fear, resistance, if you will--- to iconic classic-sci-fi-adventure-fantasy films on a multitude of levels. Maybe it’s because I have an older brother who loved science fiction and action films of that sort—and by default I decided as a child that I would not like the same things as him.   I wanted to be different. Boycott them as a 5 year old! I wanted to watch, “ Full house” or  “ Scooby Doo.”   ( later on in life I fought to watch the strange indie/foreign films from blockbuster, and my grandfather thought I was begging to watch pornography, I swear it was just Almodvor!) ....My brother always wanted to watch, Dr Who, and, Star Trek. We had one television in our house. Which lived on a hand –me- down corner table in our 1960’s inspired wooden paneled kitchen.  ( I believe the TV was also a hand-me-down…but to us it was a luxury!) I never had seniority over what we watched. So while he was involved in his entertainment—with his,  Metallica –loving- buddies over from school watching magic on TV----I was in my next-door  bedroom playing make believe with anything I could get my hands on. (Or having a dance party to the,  Pretty Woman, soundtrack…or anything Paula Abdul.)

 Here is some news however. I am currently in my third and final year of graduate school.  In preparation for the ,“ real world,” and our final showcase …we  have just begun a seminar in which the entire graduating company is together, learning the ropes. I come to find out that we will watch one of these iconic films my brother watched and I hated, IN ENTIRETY as a class. No breaks. ( I almost cried.) Followed by discussing the relevance of the chosen film to; Joseph Campbell’s, “ Hero’s Journey.” 

What film did we watch? …..Indiana Jones:  “ Raiders of the Lost Ark.”  My memory of this film or anything having to do with it was a ride in Universal Studios, Disney World when I was 7 years old.  I loved the music and danced in the aisle, but didn’t pay attention to a thing. Typical.

 My post mortem of watching this film, is kind of  an insane observation . I feel crazy to admit this, but I think  despite my interest in watching this film to begin with, my entire life journey up to this point, is infact  a play by play metaphor of Indiana Jones and Marion Ravenwood’s quest for freedom, muse, treasures, acceptance, power, independence, ferocity and of course……… unconditional love.  ( Dare I admit it?)

I will alsol admit, the majority of time watching this film was spent with my eyes closed. ….(like in Free Willy….when they are just about to release him into the ocean and there is a catastrophic dramatic lead into it…. that he may not survive.   Or when,  Little orphan Annie , is climbing up the tower and the police and helicopters are after her….Yep, like that. )

Watching Indiana, I cringed in discomfort and pain so often. The snakes and spiders made me hyperventilate. The intensity of quick time lapse. The prospect of death every other scene made me uneasy.  I felt like a child in the movie theatre, at the edge of my seat…except my resistance to facing the artwork in front of me, made me lean back and not look at the screen.

As I look back at my energy watching the film, perhaps I’m scared of that violence, struggle, greed, and the poisonous animals of  our human equivalent reality--- in the same way I’m scared of facing my other fears in life--- as a young woman on the verge of entering the professional artistic sphere. Or just  living and observing human beings and how we treat each other.


Then I realized, Wow—this is exactly what grad school has been like—and it will only continue once I am set out into the, real world.   ( which I had a lovely dosage of before coming out to LA to pursue my MFA)...No wonder movies like this have soooooooo many sequels.  

Are the chapters of our lives just sequels to our own Hero’s Journey?Do we ever stop going on  these grandiose journeys in our lives?  Does it take a certain amount of experience to observe these moments that we live in? Or is it an artistic thing? What happens when we truly submit to..” our call”….and profoundly say, “ Yes

Maybe our true perseverance and growth happens when we reach a crossroads in our lives and we learn to follow our intuition like Indiana and Marion—not second-guess or ponder.  Making strong decisions. Risks? How much bravery it takes to truly quest for our,.....Lost Ark.

Sometimes starting over? Success? Failure? Another crossroad to meet and conquer?  

Will we just give up because we are thrown  into a snake pit?  Or will we figure out a way to get out? Will we just give up when we are hit  in the face with a helicopter propeller..... or a door as ancient as an archeological cave…. closing right in front of our nose…and not for a second use our last remaining breathe to push through? 

If we don’t, we may never know what that true gem feels like running through our fingers, staring into the depths of our eyes, the way it smells, it’s weight, colors and shadows…and what it feels like to lose it, or make a decision to let it go. The letting go part always gets us, doesn't it.

 How do we know when we found our gem? Our calling? Our lost ark?
 I guess we must keep seeking more for ourselves and trust that instinct that we are getting closer.

Until then, how can we go on without being invisible BUT invincible?

I am at the third leg of the race.  Third marathon. Third chapter. Third unknown cave. Third year of grad school, here I am.

 This week has been shocking. I feel a sense of calmness in the chaos and observe the energies that I so often experienced and allowed to rule my day-to-day emotions in the past. I now observe it….in others, or catch a familiar moment within myself and think…Oh yes, I know you….

 This week I’ve had a deep response to the new people who are starting their programs for the first time., or enter an energetic place that I was in very recently. I see them embark on a voyage that I have been on…and my heart feels full and heavy in memory.
Part of me is nostalgic when I see bright-eyed incoming MFA/BFA students. Their excitement, freedom, instant infatuation and love, heart swelling up with so much joy they can’t believe they have landed on planet art heaven.

Part of me wishes I could be  in their shoes again and start my voyage all over.
Maybe change a few decisions. Maybe I would have let a few things go. Maybe I would have really pushed through some obstacles and not take,” NO” for an answer. Maybe I would have had more fun.  Maybe less?  When I look back at my journey to this point, to this day, to this hour, minute, second, breathe---I do not think I could have or should have changed a thing. I look back at this journey and swell up with graciousness that all the lessons I have learned have truly shaped a growth in my spirit, womanhood and most of all my independence as an artist and human being.

 I’m not yet ready to pass the torch and fully let go of my time here. Soon I will have to be. I’m truly on a unique journey full of twisty roads, traps, dirt paths and paths made of marble and gold. I know in 9 months my time will come to move toward the next chapter and my deepest goal is to live in the present as much as I can to soak up the chaotic rainstorm of possibility that graduate school has given me. So that when I do turn around and watch the three years of my life here commence—I feel full enough to let go of the torch and start my new Tolstoy novel…of my life. 

Updates:

GUTHRIE EXPERIENCE
My summer as A Guthrie Experience ensemble actor was tremendous. The patience, precision, commitment, inspiration, and professionalism I was treated with really shocked me on a regular basis. The communities of actors that live and work in this city are generous, open, and eager to share their passions and ideas. I even met alum from my grad school program in the green room of our rehearsal space! Our devised piece,  Time Sensitive, was our final performance cumulation in The Dowling Studio.  The 10 weeks were filled with intense training  lead by Ken Washington, Andrew Wade, Andrew Cooke, Thomas Pratkii and many other visiting artists.  I was most of all touched, and still absorbing the effects of my experience working with our movement director and Time Senstive  Director ,Marcela Lorca.  She is a powerful artistic spirit who pushed gently but intensely, generously and abundantly inspired  muse out of  from my body and mind that I didn’t know was hiding locked away in a little box.   She gave me the space to run, and I flew. I am still processing what an incredible chance I was given this summer… to be present in a glorious and beautiful company..and most importantly a community.. I will forever be grateful to Ken Washington for giving me this gift.

Back to LA
I moved my entire apartment from one side of town to another…on my own. I drove a U-Haul on the wrong side of traffic and reversed on the highway. Enough said.

Back to School
Salsa band!!!!! My passion for Salsa and Afro-Cuban beats will now have an outlet other than my zumba classes and private dance-singing   parities I have with myself… in my apartment! I will be one of the singers in this eclectic, INCREDIBLE band! It is a HUGE honor to be asked to join. B Updates on upcoming LA gigs and performances to come. One thing is for sure, we will be performing at my graduation, even more of an incentive for my out of town folks to come to the best graduation on the planet, at CalArts.

I will continue filming  comedic Indie  feature film directed by Zane Johnson, Plastic Breakfast.
http://www.indiegogo.com/PlasticBreakfast

I Should have had a Party for all the things I didn’t Say, is coming back to LA this spring! I’m very excited and proud of this Chekhovian piece, which  I helped conceive along with direction by Sam Shay and Sam Szabo.
http://www.indiegogo.com/ishouldhavehadaparty

Annabel Movement
We are back in action this weekend! We will start creating our next top secret devised piece……..as well as re-mounting and deepening our first piece,  Petite/chka, an exploration of the seven stages of grief  and transformation.


ONWARD...
All this time I thought , Grease, was my life story….who would have thought it really was Indiana Jones, this entire time.

Saturday, February 11, 2012

Everyone needs to play with sticks sometimes..


(* Photo credit: CalArts Institute Photographer, Sandy Simona ( left) Casey Jackson ( right). This photo was taken from Bart Delorenzo's directed piece, " In the Jungle of Cities" at CalArts, Fall, 2011.)


Memories..

Have you ever stopped for a moment and thought to yourself, "what was a doing this time last month? last week? last year? 2 years ago? 5 years ago? yesterday?"...and the list goes on. I've been doing a lot of reflection these days. The weather in LA has been outstanding. I wore shorts and skirts all week. I laid on a huge blue blanket in a open field with my sunhat on, staring at the ever changing clouds in the sky, deep pensive thought, quiet...

Now, has become a time of reflection for me in the deepest way.

Last semester, for me, was all about finding my feet. I was flying when I came back from Europe. I felt like an exotic bird who found her wings. With a new sense of hope and desire, I came came back ready to test my wings for year two of grad school. They worked. However, it wasn't as fluid as flying around the country side of the south of France, the Gothic alleys of Barcelona, or the romantic rivers of Paris.....yet still, Southern California greeted me with an open sky and opened itself for any possibility I could imagine, but was I ready? I crawled more than flew, but there was a balance of all things..

I was part of an incredible ensemble in a main stage show this fall. Bertlot Brecht's early play,
"In the Jungle of Cities," directed by, Bart Delorenzo. This was my biggest responsibility yet and I took my job seriously. I played, Jane Larry--a very troubled and twisted soul.... at the same time, not troubled or twisted at all.She knew her fate was xyz---so she submitted and went down that path with confidence and poise.....it wasn't a pretty sight but it was what it was, and she lived with no regrets. She was one of the most complex characters I've worked on. She was a gift. She was so scary for me. I had many internal conflicts about her, I fought with her in my mind, many nights. I really had to go there. I did. I did. I did, and what a gift it was to touch her those nights of performances in November-----share her with the world, and my ensemble. It was the first time I really began to develop my aesthetic as a graduate student in training, as to how to sustain my creative process for a character within a very deep and intense show, add colors, depth, reality, movement,inner life, and much much more....So, there I went, I created my own " method" per say...and it brought me so much pleasure. Watching films, reading books, diaries, analyzing paintings, photographs, writing Jane's diary, creating Jane's photo album, all for Jane, and all for the world of the play. It was my first time every doing something like this. They are a few things that I experimented with to create her world for me, and my world for her. It was a joy and a maze. It was beautiful. Still, with all the beauty I speak of, it was ridiculously difficult the majority of the time. I know I have a very long way to go as I move forward. The ensemble of actors I worked with were an incredible support and inspiration, as was the director and design team. I feel very fortunate that my first main stage production at CalArts was, " In the Jungle of Cities."

" Jungle," was the majority of my fall semester. On top of the usual buffet of technical classes that blow my mind on a minute by minute basis. I was covered from pinky on hand to pinky on toe 24/7. Fall semester for me, was for uncovering, unleashing and really finding the depth, honesty, inner-power, calmness, and most of all, the key to what I've learned and continue to learn over and over and over again... I don't need to push with my work, or anything in general. Pushing = fake, Just being, and doing=real...it of course goes deeper than that, it's very complex and I'm still trying to figure it out---but on the surface level, I've realized how much "easier" ( I say easier because it's funny how terrifying it is, really....easy, not at all) to just be present, and live life moment to moment vs layering up unnecessary notions, or put on a social mask, face, persona, idea of who you need to be for the world and with your work...it gets exhausting. Needless to say, I find it a constant challenge, but I'm aware of it.... and now see this in other people, and recognize instantly these traits in myself when I start to go there again. When I don't push, things seem to just make more sense, natural, honest,I feel less exhausted, and really...have more room for manifesting what I truly yearn for, who I really am, and not take up space in my energy for the things that weigh me down or misrepresent me.

Winter break.
I had the most beautiful break at home. Being home after all these new perspectives and experiences was very interesting. I didn't feel like an outsider. I paced myself. I rested. I read. I thought. I had solitude of the best kind. I had deep meaningful conversations with friends and family. I didn't do anything I felt I " had " to do, I just did. My family seems to understand and support what I'm doing even more these days, and it's really beautiful to now feel like what I am doing here, in some way, matters to them----- because the bottom line is, that they are my biggest inspiration for following my dreams. Especially because many of them, if not all of them, gave up all of their " selfish" dreams to come to America, so that the next generation could fulfill their legacy. Not a day goes by that I don't think of someone in my family, and imagine them at my age, living in Ukraine, daydreaming of what they could do if....... just if...or maybe if....and then I come back to my present moment and tears of happiness meet my eyes sometimes, truly, they do. I'm reminded I don't have to sit in a run-down, hidden, identity or home in Ukraine, or even a beautiful, safe, luxurious paradise in New York, and dream about my " what ifs"--(which is a very fortunate place for me to have grown up and have an option to even have " what ifs" in )....I don't have to sit and let someone make decisions for me, or tell me, yes or no...I can just do what I want, when I want it, so there is no time to waste and ponder..... I must keep moving forward with this incredible gift of freedom, history, love, and stories waiting inside me to be shared and explored. Many conversations I had over break with my parents, aunt and cousins, really moved me because I felt I was being heard and understood for the first time. I shared with them, my newest ideas, aspirations, and their eyes lit up with compassion--many for the first time. They understood me. They added their words and ideas, but most of all they looked at me and we connected on a deep level. I feel very fortunate for this. I know how confusing it can be when your family doesn't support or understand you, and for many years I thought that was a default of mine...but it was false. They really wanted to understand this entire time, they really wanted to believe in my dream with me, it's just a scary place to be, a dreamer, a passion seeker, but this is what I choose to do with my one and only chance of living life, and so I think they have come around to my side. I myself didn't know what I was exactly searching for or yearning for with my passion for art before coming here, and now that I've taken time to come to California, earn my MFA , work on myself as a woman, artist, teacher, lover, friend, human being...I feel like I'm getting closer and closer to the core of what and why I've chosen this path. So, now when I speak from my heart to my family at home, I feel that they understand that my purpose here has a deeper meaning then just " trying to be an actor" or " to be famous" as many people assume when you tell them what you do in this business..... and maybe at some points those things will happen, what a success!.....but for now, I have a better understanding of what really matters to me, my artistic and personal mission, and seeing the look in their eyes when I shared this all with them, really played a sonata in my heart. I'm grateful. Still, there are and were many others, that I haven't had a chance to connect with, or share with since I have been back and forth between NYC and LA. I know the time will come to reconnect, re-learn each other's lives and when it does, it will become it's own story, and it's own experience of reflection.

I found my wings this summer. I found my feet in the fall.My heart in the winter. and now...I'm finding my space in the spring.

I must give credit to my incredible friends I have here in California that have taught me so much, and have witnessed my growth from a different angle and perspective then those of you who have known me since I was a child, teenager, young adult, and over-committed New Yorker.

One friend in particular, has gone above and beyond inspiration and knocking sense into me when I'm really diving into the deep end....and for those of you who don't know, I don't know how to swim! I'm lucky to live with her, and get reminders on the regular. This incredible woman and I , have many intense chats about all topics you couldn't even imagine would need an in depth look...but yes, we go there. Recently, during one of our conversations, she helped me make a huge discovery ( most of these discoveries happen at 12am on our living room floor after we each had a 12 or so hour day of outside life).....it's time for me to take up a bit more space. No, not a bit, but all the space in the world that I need to take, it's time. I find myself holding back, being polite, careful, cautious. It's who I am, yes. I don't want to offend, be rude, do wrong, hurt. I find myself shy sometimes, unsure, oh wait--I'm human....so of course these things happen. I'm an artist, so of course I'm worried that maybe I won't be appreciated or understood, made fun of, disliked, and the list goes on....but the time of waiting for someone else to do it first, or the perfect moment to do that dream project or speak up, has come and gone. I'm taking up space this spring. I've been dipping my toes in the water for some time, or almost about to dive in head first ( can't swim- recall?), but chicken out...So, perhaps it's time to just walk into the water until my feet can't touch the ground, and see how it goes. I'll learn how to stay afloat, I always have--so why not just try. I'm trying. First step, is sharing this. Space has come. I will take up space. Now you know. Space in spring.

My dream project is manifesting. I've started a movement laboratory that will meet once a week to explore and experiment the array of movement training I've received at CalArts, summer residency in Au Brana with OBRA, Matej Mateka, and Leo Kay, as well as my own mix of things I've been brewing and creating on my own all these years. I don't want to " give anything away" so I will not divulge any ideas of secrets just yet of what we are specifically doing in the lab--you may need to make your way here this spring to see what we create! I will say that I'm BEYOND myself, to have such a talented, beautiful, passionate group of young actors, musicians, filmmakers, artists to work with. They trust me. They believe in me and my vision. They are ready to go on this ride with me. The movement laboratory is called, " A Physical Theatre Laboratory" and my movement company is called, "Annabel Movement," this name, is dedicated to two of my biggest inspirations..my late Aunt Anna, and my Grandfather Gregory Belman. Put those together= Anna+bel. My goal of this laboratory is not to create a finished product, but to begin a process. My goal is to have a safe, open, exploration space of telling stories with our bodies. Creating music and colors from our imagination....and seeing where it all takes us. I began directing little movement pieces last semester, one of them was assisting a piece with Sam Shay, " Into the Fog" and then again assisting movement direction in a film project by her and Victoria Sendra, "Ice and Storm." ( films are coming out soon!)

What REALLY started my directing seed was these opportunities and mostly an incredible class lead by Marina McClure last fall. She really ignited this interest and confidence that I was a capable leader, I do have a director bone inside my body, my visions are valid...and I must keep exploring. I have fallen a bit in love with directing---and will find my way. They ideas are endless, so I'm starting with the basics and my heart is swelling.

Other things I will be sharing my soul with this during this spring of space..

Marieluise Fleißer's "Purgatory in Ingolstadt" a German expressionist piece, Directed by Marina McClure, going up April 24-May 5th
Zane Johnson's short film ,"Plastic Breakfast"
A movement piece of Anton Chekhov's " Ivanov" conceived by Sam Shay, Sam Szabo, and I, Sandy Simona...(we have many S's in our names) :)
........and of course all the other projects happening within my course load.


I'm also teaching my world-movement-zumba class twice a week to a mix of undergraduate/grad students, open to the entire Institute....it's a huge blast. My students are so enthusiastic! It is a great release at the end of the school day before a rehearsal evening. Oh yes, remember? Most of us go 9am-11pm M-F, Zumba is our pre-dinner break!

Love
I've found a new sense of balance and love in my heart,mind, soul and most of all for the people in my life that are present, and have come and gone. I can't say I found this easily, or without help. I am a work in progress. I feel that huge progress has been made. I work at this all day and every day. I'm choosing a mantra to live by and of course get pulled off track often. I bring myself back. I remember. I am open to the universe and all the people that come my way. I have met some very interesting people, interesting-yes, the lessons I continue to learn are just priceless. Some are comedic----to the point of almost peeing in your pants, shocking, beautiful others are heart-warming, and some heart breaking--the lessons just keep adding up, and I think I'm nesting a wise, patient, treasure box filled-- woman inside of me....these experiences are all treasures. The gems, are the ones I'll savor forever.


To end.
I learned how to " sword" fight in our fight choreography class this week. I was terrified. The
"swords" are actually huge wooden duel sticks, we pretend they are swords, sort of, maybe I just pretend. They are very heavy and dangerous to drop. I was scared as soon as I saw them laying on the floor, the must be over 6 feet? I got over it, and got down. By the end of class I was throwing sticks ( in my mind swords) around and playing like I've never played when I'm scared, it was a huge thing for me to go there. Not wanting to hurt anyone, or myself...but I went for it. Liberation. I threw those swords around like an amazon woman that I dressed up like for Halloween.

Now, if only I could take up space like the sword fighting experience. Scared as I may be, what's the worst thing that can happen? I fall? It falls? I mess up? I apologize? I do it wrong? I learn?I can always try again. It never stopped me before, and it won't stop me now. I'm going in.